border, narratology, and language:
[Prologue: I have been practicing the loss (2023)]
dear velocity, (2024) | Crescendo (2024) | Servitude: do not believe that Google Map (2021)
idol industry, fictionality, and love:
Illogical Innocence (2019) | Genesis (2020) | Her Love is a Bleeding Tank (2020)
[Archive: Your Earnest Fondle (2021)]
“I recently learned that Orhan Pamuk has his own museum in Istanbul, which houses all the objects described in his novels, serving as a visualization of the novel’s plots and scenes. To some extent, what I’m doing is similar—manipulating various media to visualize narratives.”
